Music for theatre and performance
I write music for theatre and dance: “DÖR” (Golden Mask nomination for Best Work of a Composer), “Sak-Sok”, “Karakuz”, “Ak Tash”.
Composition, arrangement and percussion recording — for theatre, artists, albums and events.
Recording is a separate line of work — not concerts and not teaching: shaping the sound that stays in a track, a production or an album.
I write music for theatre and dance: “DÖR” (Golden Mask nomination for Best Work of a Composer), “Sak-Sok”, “Karakuz”, “Ak Tash”.
I record frame drums, handpan, darbuka and ethnic percussion for other musicians’ tracks: Therr Maitz, Tatiana Efremova, Beats of Love.
Improvised world fusion music of the TUULI ensemble: Jam Session 1 and 2 on streaming platforms.
A track for an event, video, brand or exhibition: from idea and arrangement to recording live instruments.
Short excerpts of music I composed and recorded. Full versions are on streaming platforms.





Erik co-wrote the music for Tatiana Efremova’s single “Üz köyeñ” (2024) and for tracks from “Sak-Sok Live”: “Ülep terelü”, “Quät alu”, “Yaña bashtan”, “Iyälär”, “Küchesh”.
Music for the choreographic performance by the Freestyle studio (Almetyevsk). Composers: Erik Markovsky, Sugdyr Ludup, Sofia Ozcan.
Recordings with the band Beats of Love for the TV show on India’s national channel DD National.
Albums, singles and collaborations — on all streaming platforms.
What it looks like: recording handpan and frame drums, sessions with vocalists, recording with harp, sound production with kids.
Handpan recording


Tell me about the brief — a production, album, video or event — and I will suggest the line-up, sound and timing.
Discuss a recordingReady to start learning, book a performance or buy an instrument?